By Marta Robertson
Aaron Copland (1900-1990) is mostly thought of the preferred and recognized composer of yankee paintings song, and but little scholarly recognition has been paid to Copland because the Fifties. This quantity starts off with a portrait of the composer and an overview of important examine traits that is meant to fill a void and to signify instructions for extra study. The consultant additionally presents a bit discussing Copland's interdisciplinary pursuits, comparable to ballet and movie paintings, in addition to a entire bibliography of writings approximately Copland and his tune.
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Extra resources for Aaron Copland: A Guide to Research (Composer Resource Manuals)
Xxxii, 266 p. ISBN 0451628802. ) In this book Copland instructed listener-readers in the elements and forms of music. The content was drawn from fifteen lectures that Copland presented at the New School for Social Research in New York, during the winters of 1936 and 1937. His goal was to “put down as clearly as possible the fundamentals of intelligent music listening” for the layperson and music student. Written from the perspective of a composer, rather than an educator, Copland explained: “The composer has something vital at stake.
Norton, 1968. 194 p. C76 1968. This book, originally published in 1941 under the title Our New Music; Leading Composers in Europe and America, is comprised of Copland’s article and lectures. Generally, Copland amended articles with postscripts from 1967 or footnotes correcting dated information. Occasionally he omitted text that was no longer appropriate. B are indicated below. See: Our New Music; Leading Composers in Europe and America. Contents The New Music, 1900–1960 PREFACE PREFACE TO THE REVISED EDITION ACKNOWLEDGMENTS I.
Contents Music and Imagination PREFACE INTRODUCTION Part One: Music and the Imaginative Mind “The Gifted Listener” See: “The Gifted Listener” “The Sonorous Image” “The Creative Mind and the Interpretive Mind” See: “The Creative Mind and the Interpretive Mind” Part Two: Musical Imagination in the Contemporary Scene “Tradition and Innovation in Recent European Music” “Musical Imagination in the Americas” “The Composer in Industrial America” POSTSCRIPT 3. The New Music, 1900–1960. Rev. and enl. ed.
Aaron Copland: A Guide to Research (Composer Resource Manuals) by Marta Robertson